BY Parichehr Kazemi
Since the Iranian protests began on September 16, 2022, social media has been inundated with images and videos of women bravely confronting over four decades of authoritarian control over their bodies by cutting their hair, burning their mandatory hijabs, and remaining steadfast in the face of batons and bullets attempting to force them into submission. For people outside this context, digital visual content has been their first point of contact with this movement. They see and learn about the grievances of Iranian people and the government’s continued violence upon its own citizens – in a sense, processing the meanings of dissent, repression, and resistance – as they play out in the images. But outside of their symbolic functions as movement “memorabilia,” social media visuals also play an important role for protestors and affect the evolution of activism itself. Images and videos of the Iranian movement build on over nine years of prior digital visual activism. Past content both formed a script for future instantiations of protest – the likes of which we have seen over the past few weeks – and helped create a foundation for women’s grievances against the regime to take shape. Social movement scholars need to take this content seriously in light of such developments, especially as they relate to the dynamics of on and offline activism that remain of special interest to the literature.