Last night in our Post-Ferguson Film Series we screened Do the Right Thing (1989) by director Spike Lee. Having not seen it since I was an undergrad in a sociology course, it struck me how incredibly relevant the film remains today. Even 26 years later, it is still a great resource for teaching about race and protest tactics.
The film begins slowly, following various different characters on a hot summer day in Bedford-Stuyvesant, Brooklyn. The film documents the numerous subtle and explicit forms of inequality and racial tensions in this neighborhood. As the day goes on, and the heat increases, tensions build over a series of seemingly small, but symbolically laden, events between members of different racial groups. The film ends with an altercation between several black youth and Sal, the Italian owner of a pizzeria. This leads to the arrest and murder of one of the young black men in the altercation, Radio Raheem, by a police officer. In response to the unnecessary tragic death, the pizzeria’s delivery boy, Mookie (portrayed by Spike Lee) who is friends with Raheem, throws a garbage can through the window of the pizzeria. This leads to the complete destruction of the pizzeria and a riot in the neighborhood.
Do the Right Thing depicts, and holds in complexity, the many layers and forms of racial tension and inequality in American society, raising questions of how one can “do the right thing” in a society with such vast, entrenched, and diverse forms of inequality and injustice. It is a brilliant film, showing how a sense of hurt and injustice from a series of slights, degradations, and inequalities can slowly compound under difficult conditions (such as the symbolic summer heat), and combust in violent collective action. Continue reading