It has by now become commonplace to interpret the June Days of Brazil (the surprisingly massive mobilizations that occurred in over a hundred cities between June 6 and July 1, 2013 to protest government failure and fraud, and to call upon the state to fix Brazil’s broken public services), as an expression of deep-seated dissatisfaction on the part of the new middle class, fruit of the PT’s policies over the past decade, now paying up to a quarter of their income in taxes, with the sorry state of their nation’s public services. It has also been common to point to the horrifically wasteful sums of public monies being spent on the mega-sporting events of the World Cup and Olympics as triggers for these mobilizations. While I think these interpretations are basically correct, I want to focus in what follows less on what prompted the mobilizations, and more on what they may mean for the future. Continue reading
Understood in the broadest sense to include music and street theater as well as all forms of visual representation, artistic expression has an undisputed place in contemporary social activism. There is a long, perhaps even ancient history of wall writing and what we would today call street art and graffiti used as means to express discontent and catch public attention. Recall the humorous scene in Monty’ Python’s Life of Brian, where an occupying Roman soldier corrects the Latin grammar in a rebellious piece of street art. While this may be fanciful fiction, it reflects a reality in the current Palestinian conflict (think local activists as well as Banksy), as well as in our own Occupy movement. More stylized and professional art forms, and artists, have been involved in political protests and movements throughout the modern era and the linkages between aesthetics and politics, art and propaganda has been long debated. Can political art be good art, can good art be political? How effective is politicized art and the artists who make it? What exactly does art do in demonstrations of political protest? These are some of the issues I would like to address. Continue reading
iPhone and Android charging station at the PPL for independent bloggers in Charlotte during the Democratic National Convention
Countless news stories tout how the Internet has transformed this election, but how has political media coverage shifted in the digital age? To help understand this question, it’s useful to recall one of the birthplaces of political movements and Internet reporting.
When I was preparing to go to the recent Democratic National Convention (DNC) to research labor and activist groups, I was intrigued when a friend connected me to The PPL, a blogging space in Charlotte for non-credentialed journalists. It reminded me of the Independent Media Center (IMC) in Seattle during the protests against the World Trade Organization (WTO) in 1999. Continue reading